Share this...

Showing posts with label Secrets in Time. Show all posts
Showing posts with label Secrets in Time. Show all posts

Wednesday, October 2, 2013

Back in "Print" (digitally speaking!)

I am delighted to advise that GATHER THE BONES and SECRETS IN TIME are both back in print (which is an interesting word to use for digital books!) or perhaps the right terminology is "live" on Kindle and Smashwords. 

These are my two cross genre "Paranormal" historicals so if you like your historical romance with ghosts, time travel and/or witches...


GATHER THE BONES (now rrp $4.99) can be purchased from:
KINDLE
SMASHWORDS
also BARNES and NOBLESONY, ITUNES 


War leaves no heart untouched

In the shadow of the Great War, grieving widow, Helen Morrow and her husband’s cousin, the wounded and reclusive Paul, are haunted not only by the horrors of the trenches but ghosts from another time and another conflict.

 As the desperate voice of the young woman reaches out to them from the pages of a coded diary, Paul and Helen are bound together in their search for answers, not only to the old mystery but also the circumstances surrounding the death of Helen’s husband at Passchandaele in  1917.

As the two stories become entwined, Paul and Helen will not find peace until the mysteries are solved.


SECRETS IN TIME (rrp $2.99) can be purchased from:
KINDLE
SMASHWORDS
also BARNES and NOBLESONY, ITUNES

Can love overcome time itself?

When Nathaniel Preston stumbles into Dr Jessica Shepherd’s garden, she is reluctant to believe he has crossed more than three hundred years to seek her help. He must help her understand why he has travelled from the midst of civil war to the quiet English countryside of the twentieth century.

But is falling in love with him destined to end in heartbreak? Jessica knows he must return to his own time and face certain death in battle.

Why has Nathaniel been sent to find Jessica? Can their love survive a bloody battle…and overcome time?

Tuesday, September 10, 2013

Writer's Life: The Critique Group*

On the weekend my "critique group" met. It was loud, excited and fuelled by champagne but oh, so terribly important! Goals were re-established, current works in progress assessed, a new member welcomed, we brainstormed and a story opening was critiqued. They are my tribe and an absolutely integral part of who I am as a writer.


Writing is by nature a solitary past time but the trope of the writer in the freezing garret scratching away to the light of single guttering candle has been supplanted in the digital age by computers and internet. We are no longer alone, there is a whole writing community out there with whom to connect. Online workshops, elists, forums, blogs… but one thing remains constant: around the country, at any given time there is a little group of writers sitting around a table with printed paper clutched in one hand and a pen in the other. (There are also online critique groups but I have no experience of those so I will just talk about the “actual” critique group as opposed to the “virtual” critique group).

Most writers are introverts, so it takes a great deal of motivation (and courage) to join a critique group. Not only are you putting your writing on the line but also yourself and it’s that very vulnerability that either makes or breaks your experience with a critique group.

I started off as the lone wolf, driven partly by a need to keep this part of my life “secret”. It was only when I moved to Singapore with my husband’s work and found myself utterly stranded without direction or identity. Like a drowning woman I reached out and joined the ANZA Writers Group. In that group I found a core of wonderful women of different ages and different interests. As writers we were all different which meant we had to find some common ground on which to share our passion for writing. We found it in short story writing. Every month our convener would set us ‘homework’ of some kind which would more often than not translate into a short story. (Ironically my current release SECRETS IN TIME began as ANZA Writers Group homework). Because we were so different, critique was gentle but encouraging. That experience ended in the publication of two volumes of short stories by a local publisher (these days we would probably just have self published them and put it out as an ebook – how the world has changed). For a recent article about this group and what became of us all click HERE.



The ANZA Writers Group in 2002 at the Launch of NOT ALL PINK GINS

On return to Australia, I went back to lone wolfdom but having had the taste of what a good crit group could be, I went in search of another and found it. Through Romance Writers of Australia, a group had just been formed in my area. A bad experience with a potential new member had made the group a little wary but they invited me in and I now count them amongst my dearest friends.
What makes or breaks a critique group?

The members. It does matter that you find a group of people with whom you have something in common. There would be little point in me joining a group of science fiction writers. We would have very little common ground. Although the group in Singapore were quite disparate in their writing interests, we still found common ground in our writing. Universally we were women writing for women. My current critique group are romance writers but within that broad genre our interests are quite different but there is enough room to tolerate difference - although I will say in all honesty I don’t know whether we would operate so comfortably if a member who wrote erotica joined us. That’s not where any of us are or want to be. It is terribly important that the members of the group mesh together. So much of what makes a good group is trust.

How critique is delivered. Each member of the group needs to be clear about how they want to receive critique. We tend to use our face to face meetings for brainstorming, setting of goals and writerly business. We can circulate writing for critique by email but occasionally we have specific face to face critiquing sessions. It is here that the main danger of critique groups lie, I have heard stories of young writers whose spirit has been broken by harsh critiquing. I try to couch critique in the form of “suggestions only” and I would advise any writer to take from the critique the bits that are useful to you. There is a danger in absorbing everything – after all it is only someone’s opinion and I have seen young writers whose voice has been lost in a welter of over critiquing. Have faith in your own writing.

A good critique group has a range of experience within its members from experienced writers through to newbies. A good group will nurture and encourage new writers and even “experienced writers” need the support and encouragement of other people. Since I joined my little group, one of our members has had “the call” (Sasha Cottman's LETTER FROM A RAKE - out now!). We watched that story go from brainstorming to publication. It is OUR book! And my own, SECRETS IN TIME, was read and critiqued by the group members. I am no longer a lone wolf…I have my little pack to run with.


Alison's "tribe" at work on a writing retreat


How do you find a critique group? That is a surprisingly hard question to answer!

  • If you are a member of Romance Writers of Australia you can contact the Group Liaison who can either help you start your own group or find a group in your area. groupliason@gmail.com
  • Your local community centre may have details of local writing groups but expect to find a wide range of writing interests within such a group. The larger the group the more structured you will find it.

Looking for suggestions: What makes a critique group work or where/how do you find a suitable group?


(*based on an earlier post appearing on Long and Short Reviews May 13, 2013)

Monday, May 6, 2013

Arthur - A Journey with Alzheimers

Do you ever read the dedications in a book? Like me, you probably just glance over them but behind each one is a personal story.

If you read the dedication in my recent release SECRETS IN TIME, you will have seen it reads “This book is dedicated to the memory of my father, Arthur. Still miss you, Dad.”  I agonized over this dedication, which is the second dedication to my father (the first is in THE KING’S MAN).  I wanted the dedication to be about more than just my father… it was a story that belonged not just to him but to all sufferers of Alzheimers and the people who cared for them, but in the end I brought it back to the deeply personal.


Arthur in his favourite chair with a book...how I like to remember him
The writing of SECRETS IN TIME is so intrinsically tied up with my father’s last few days, that as the anniversary of his death approaches, I feel, for the sake of all those out there who have lost a loved one to Alzheimers,  that the time has come to share my personal experience of this terrible disease.

A father always holds a special place in the heart of a daughter and Dad and I were very close. He imbued in me his love of history and literature. Having been brought up in the Edwardian household of his grandparents, with very little contact from his divorced parents, his notions of parenting were, in retrospect, a little strange. A loner all his life, he disliked  the bonhomie of “family” holidays, leaving my mother in charge of the two children while he went off on little adventures  of his own but oh, we loved it when he was around, reassured by his large, gentle presence. His idea of entertainment (in the days before television) would be to spend Sunday afternoon reading to us. He particularly despised childrens’ books, reading instead his own favourites (which were probably not always suitable!).  As a very sick child in hospital with meningitis he spent hours sitting by my bed reading Longfellow’s Hiawatha to me. I may not have understood the words but the cadence of the poetry read with his beautiful, very British accent was soothing to a young child.  

Arthur at my Graduation Ball with the newly commissioned Lieutenant
As I grew into a teenager, we still shared our love of history, going to all the latest movies “Cromwell”, “Nicholas and Alexander” (in which I fainted and had to be removed…can’t stand people talking about blood), Elizabeth R, Ann of a Thousand Days etc. He quietly encouraged my writing and we shared long walks along the beach every weekend sharing our thoughts of the week (and annoying a particularly yappy dog, nicknamed by Dad "Drop Dead", by running his walking stick down the fence). He took such pride in every achievement , the greatest of which was being accepted into Law at the University of Melbourne, something he would have liked to study but for the intervention of a war. With romantic notions of the Oxford colleges he never attended, he insisted I move into a residential college and was always there to pick me up and take me back on weekend visits (a round trip of 2 hours). When I was commissioned as an officer in the Australian Army, he was thrilled (as you can see in the photo above - on of the rare photos of us together). 

Marriage…grandchildren…career highs and lows…Dad was always there to share them and talk through the issues.

The maladies of ageing began to set in and we think, but of course have no proof, that it was the “hormone” treatment for prostate cancer that hastened his illness. It was noticeable after each treatment that he seemed a little more “muddly” and he began to suffer aphasia (loss of speech). In hindsight I realize we were ignoring the obvious symptoms and just putting them down to old age. Along with the aphasia, he began to imagine conspiracies (the next door neighbor was planning to kill his cat). However, mercifully he completed writing his memoirs and was able to participate in a session where we dubbed over the old home movies of our life in Kenya with a commentary. Memories of the dying days of the British Empire preserved forever.

Christmas 2006…the usual gathering in the family home. Dad stood in the kitchen, bewilderment on his face. “Who are all those people?” he asked me. My heart fell. This was not just Dad being muddly,  he genuinely did not recognize his own family.

On January 15 2007, while I waited in the first class lounge at Hong Kong Airport (after a birthday trip with my husband), my mother rang with the diagnosis – Alzheimers. Through tears I wrote in my travel diary… “How are you supposed to feel when the reality hits home?...I was going to lose my father in spirit long before the body…Alzheimers is a death sentence without a death…”.

And so it proved… to preserve my mother’s sanity they moved into a retirement village near me. We knew it would send Dad down but he was not the priority. My mother who had married the man she loved within 3 months of meeting was his sole carer. I don’t know how she did it, but that’s her own story to tell. He rapidly developed “sundowners syndrome”… the symptoms of which are described in Wikipedia as
  • Increased general confusion as natural light begins to fade and increased shadows appear.
  • Agitation and mood swings. Patients may become fairly frustrated with their own confusion as well as aggravated by noise. Patients found yelling and becoming increasingly upset with their caregiver is not uncommon.
  •  Mental and physical fatigue increase with the setting of the sun. This fatigue can play a role in the patient's irritability.
  • Tremors may increase and become uncontrollable. 
  • A patient may experience an increase in their restlessness while trying to sleep. Restlessness can often lead to pacing and or wandering which can be potentially harmful for a patient in a confused state.
He had every symptom. I had always thought Alzheimers resulted in sufferers sitting docilely in armchairs but not Dad-- he could not sit still, a symptom that continued right up until the end, a sore trial for all his carers (and fellow residents).  Looking back I marvel at how my mother coped...she plunged the house into darkness from 4.00 pm every afternoon.
In his last years as the disease took hold
The delusions of dementia meant I would get phone calls at work from him, terribly worried that he was about to be a) deported back to England or b) drafted back into the army. I would assure him that I would speak to the family lawyer and he would sort it out. A quick walk around the office to calm myself and then back on the phone to tell him I had “spoken to John” and it was all OK. That seemed to settle him until the next delusion took hold.  He imagined himself back in the grand houses of his childhood…going “upstairs” to change or not wanting to bother the staff.  When his beloved cat became ill and had to be hospitalized, he fretted terribly that one of his soldiers was unwell. We took the humour in the situation where we could find it.

Mum passed a book on to me… “The Man with Worried Eyes”…I could not bring myself to read it, but the title has stayed with me because it so perfectly captured what I saw in my father (and indeed I now see in other sufferers). He said “My brain is a little funny”…he never really understood his illness or the measures we had to take in coping with it. He viewed the world with worried eyes and my heart slowly broke.

He managed to read (and comment) on my first two published books but by the time I was appointed to the job of my career, of which I knew he would have been so proud, he was lost in another world. When that job of my dreams unraveled twelve months later, the one person to whom I would have turned for advice and wise counsel, my father, was not there.

The day came when Mum could cope no more and we had to move him into a nursing home.  Far from being a solution,  the nursing home just presented more problems. His sundowners and wandering was annoying other residents and the staff wanted him confined to a secure dementia ward. Oh my God… it was like an 18th century bedlam and in the middle of it was my gentle, loving, trusting father, with his worried eyes. He told my brother "I am in a very bad place". What broke me was seeing him unshaven...my impeccable English gentleman of a father who would never dream of being seen without having shaved and properly dressed (even on holiday!), shambling through those wards, unkempt and cared for.  My emotions swung between anger – with him for being ill, the nursing home for the treatment and terrible guilt for feeling that way and grief, deep seated grief – every visit I grieved anew. I hated visiting him in that awful place and, mercifully, in January 2010 we were able to move him to a smaller, more caring facility where in May of that year he died in his own bed, lovingly nursed by the carers he knew.

On our visits to him, we sat and read to him from his own memoirs, the only thing that seemed to keep him still and on my last visit with him, just before his last illness he looked up as I entered the room and said, “It’s Ali”…the first time he had said my name in such a long time although he always seemed to know me. I think in my own resemblance to my mother, he was seeing her as a younger woman, not me. My mother and brother he failed to recognise at all. On that last visit I sat and read to him as usual and on the following Friday came the call we had dreaded. He had developed pneumonia. I’d always heard it referred to as the “old man’s friend” without ever understanding why. What we did know was that he hated his life and if the old man’s friend was going to take him, the time had come.

During that long week, I took time off work, sharing the watch with my brother and mother, sitting in that peaceful room while we played him his favourite music.  When I returned home from my watch I found myself unable to do anything so I picked up my pen (in a figurative sense) and wrote-- a light hearted romantic time travel story as far removed from my life as I could send myself – that story became SECRETS IN TIME. I poured myself into that imaginary world, before it was time once again to return to his bedside.

Dad had always said he wanted to outlive his grandfather who had died at age 83.  During his last week of life he turned 83.  In my diary I wrote “Arthur is slipping away from us and again this gamut of emotions from relief to sorrow…”.  We kept the death watch at his bedside and were all with him when he eventually slipped away on a soft autumn evening.

I wrote… “The journey of the last three years from that first diagnosis to now, remains a confused jumble of conflicting emotions from fear to resentment, immense grief and guilt…”. Every time his condition deteriorated a little more meant we grieved anew… Alzheimers is a cruel disease for sufferer and family but I read in the paper today that researchers here in Victoria have moved a step closer to early diagnosis (=early intervention). Would I want to know? I’m not sure-- but what I do want my own family to know is that if decisions have to be made about me, then they are absolved of all guilt. Whatever must be done, as long as it done with love, will be for the best.

It is only now, on the third anniversary of his death, that I feel able to write publicly about my experience and I hope that someone going through the same ordeal will read this and realise they are not alone.

I would also like to use this forum to publicly acknowledge the incredible support my mother (in particular) received from Alzheimers Australia (Victorian branch). The royalties, such as they are, that I will receive from SECRETS IN TIME over this year will be donated to that organization in memory of my father.  I hasten to add that it will hardly make much of a blip in their giving program but the book is so intrinsically part of my father’s story that I cannot do otherwise and if another family can be helped then that is where they should go.

Arthur as a young man


Friday, April 12, 2013

STOP AND BROWSE...HISTORICAL NOVELISTS BOOK FAIR IS ON!

They are lining up for a book fair for readers who like stepping back in time...and in the case of SECRETS IN TIME, literally!


When you were a child did you dream of waking up and finding yourself magically transported back in time? I did...I would squeeze my eyes tight shut and wish and wish and wish. Of course I woke up still firmly in the twentieth century and with the benefit of hindsight, I can't imagine anything worse than finding myself in the seventeenth century without a flushing loo or a toothbrush!

Or what if you come forward in time...what would you make of the flushing loo, a toothbrush, television, cars...and cricket. These are the dilemmas facing my hero, Nathaniel Preston in SECRETS IN TIME, a dashing seventeenth century cavalier who, with a healthy dose of witchcraft to help, finds himself in 1995...


When a seventeenth-century cavalier hurls himself over her garden wall, Doctor Jessica Shepherd is more angry than surprised. Although she ís no stranger to military re-enactors, there ís something different about Nathaniel Preston. If he ís to be believed, something…or someone…has sent him forward in time from the midst of a civil war to the quiet English countryside of the twentieth century.

With time working against them, Nathaniel has to convince Jessica why fate brought them together before he ís forced to return to his own era and certain death in battle.

Can the strength of love overcome all obstacles, even time itself?

Of course, Nat has a very good reason for his time travelling...he just didn't reckon on falling in love...or the dangers of foreknowledge. Can you imagine knowing the exact time and method of your death or the cause you will die for is doomed?

In the following excerpt, Nat wrestles with these questions:

I cannot sleep.

Every time I close my eyes I see this new world and all its wonders. The noise overwhelms me. Even now in the dead of night, I hear the carriages racing past and see the bright lights illuminate the curtains over the windows. Light. There is so much light.

I try to order things in my understanding, relate them to my own time, but I fail. My own ignorance fails me. I am a savage in this land. Jessica the Witch must think me a veritable fool, and that concerns me. I think of her warm, sun-touched skin on that day I first saw her, and the courage with which she faced me. I want to touch her. I need that touch of a warm, living being to remind me that I am still a man and not an object of pity.

The knowledge of my death tugs at my mind. I keep pushing the memory of that cold stone in the chapel away. I don’t believe I am to die. I am only thirty years old. I have two small sons. Who will care for them? Who will protect my sister and my grandmother?

Alice. Help me. I can’t live with this knowledge.

I hear her voice coming through the mist of my mind. “You must find the strength. Remember why you are there. Learn as much as you can of this new world Nathaniel,
and you will have a chance to set things in order.”

I close my eyes and remember all we talked about, Alice and I. She is right, I have to acquire the knowledge needed to set my world in order. But to do that I will return to my time. To do that, I must die.


To read a longer excerpt and for buy links, click HERE. Available in eformat only at Lyrical Press (all formats), Barnes & Noble and Amazon 

If you, like me, love the seventeenth century, then don't miss my two full length novels set in the English Civil War, THE KING'S MAN and the award winning BY THE SWORD or if you like a ghost story with a bit of a mystery, history and romance, then GATHER THE BONES is the book for you (set in the 1920s world of Downton Abbey)


Whether it is Spring (and you are looking for great reading for your summer holidays) or autumn, as it is here in Australia (and you are looking for a good novel to curl up with on a cold winter afternoon), then don't miss the HISTORICAL NOVELISTS BOOK FAIR (12-15 April). To find more fabulous authors market stalls, see the list below


And for a chance to win a $25 Amazon Voucher, enter the SECRETS IN TIME CONTEST by clicking  HERE

Come and visit the wonderful historical authors hyperlinked below!


1. francine howarth    19. maggi andersen     37. elizabeth hopkinson

2. fenella j miller        20. suzi love             38. michael wills

3. paula lofting        21. jeanne treat           39. dm denton

4. helen hollick       22. chris longmuir      40. richard abbott

5. martin lake         23. kiru taye             41. sue millard

6. jane godman       24. betty cloer wallace     42. margaret skea

7. j.g. harlond        25. christina phillips        43. wendy j. dunn

8. melanie robertson-king  26. suzy witten      44. bryn hammond

9. nicole hurley-moore    27. kim rendfeld      45. sarah waldock

10. anne gallagher     28. kevin john grote     46. hilda reilly

11. deborah swift       29. ginger myrick      47. roy e stolworthy

12. derek birks         30. linda root          48. patricia o’sullivan

13. katherine pym      31. prue batten          49. glen craney

14. michael wills        32. pauline montagna      50. suzan tisdale

15. sandra ramos o’briant    33. sophie schiller      51. jo ann butler

16. elizabeth caulfield felt    34. judith arnopp     52. charles degelman

17. j l oakley              35. anna belfrage            53. gates of eden

18. alison stuart           36. jean fullerton            54. elizabeth keysian

55. marie macpherson     56. tim vicary           57. evan ostryzniuk

Wednesday, March 27, 2013

Historical Heroes

Next Monday April 1 (US time), my historical time travel, SECRETS IN TIME is released.

There will be an "online" launch party on my Facebook page on Tuesday 2 April 7.00 pm, Australian Eastern Standard Time. To join the fun, come over and "Like" my page...click HERE.  The theme of the party is "Historical Heroes".

In a departure from my darker themed books, SECRETS IN TIME, is a lighthearted look at love through time, although there is a darker reason for Nat's time travelling... 


When a seventeenth-century cavalier hurls himself over her garden wall, Doctor Jessica Shepherd is more angry than surprised. Although she ís no stranger to military re-enactors, there ís something different about Nathaniel Preston. If he ís to be believed, something…or someone…has sent him forward in time from the midst of a civil war to the quiet English countryside of the twentieth century.

With time working against them, Nathaniel has to convince Jessica why fate brought them together before he ís forced to return to his own era and certain death in battle.

Can the strength of love overcome all obstacles, even time itself?

Because I am now a certified time traveller I am inviting a few heroes of history (real and fictional) to the party. Because SECRETS IN TIME is based on the English Civil War and that is my favourite historical period, I need look no further than these two gentlemen.

PRINCE RUPERT OF THE RHINE
Timothy Dalton as Prince Rupert in CROMWELL
Top of my list is, of course, PRINCE RUPERT OF THE RHINE. Nephew of King Charles I, Rupert was the quintessential "cavalier" - young, dashing, charming and devastatingly handsome. His dashing nature was his undoing in battle with his hot headed cavaliers bursting upon the enemy and then disappearing off the battlefield in hot pursuit of the fleeing enemy or the baggage train, never to return to the field of battle. He  fought valiantly for his uncle, only to have King Charles turn on him after he was forced through military necessity to surrender the city of Bristol, thus losing control of the west of England. 
SIR THOMAS FAIRFAX
While I am on the subject of English Civil War heroes, my own personal historical hero is SIR THOMAS FAIRFAX. "Black Tom" was the antithesis of Rupert. Tall, dark, grave but, like Rupert, a brilliant leader. His story is often overshadowed by Oliver Cromwell.  I fell in love with him when I first read Rosemary Sutcliff's RIDER OF THE WHITE HORSE. 

To read a short story I wrote about Sir Thomas Fairfax (THE PETITION) click HERE
Dougray Scott as Sir Thomas Fairfax in TO KILL A KING
So Rupert and Tom will be coming to my launch party, whether they like it or not (I am sure Rupert will have a ball). Just so I can get the guest list spot on...I am looking for other suggestions of historical heroes.

Which Historical Hero (real or fictional) would like to invite to the party?

(For more information and to read an excerpt from SECRETS IN TIME, click HERE)

Wednesday, March 13, 2013

The End



THE END... I always write those words when I reach the end of writing a book. They are the punctuation mark that finishes my relationship with that world I have created.

Not that I believe any book is actually completely finished...it could always be that little bit better, the words in paragraph 2 on page 167 could be rearranged...ENOUGH! At some point a writer has to let go and hit the "Send" button that will send it winging into the waiting Inbox of an eager editor or agent, who will of course promptly respond with "This is the greatest novel ever written, here is a contract for a gazillion dollars..." . Such are the thoughts you will entertain for about the first twenty four hours as you eagerly hit the refresh button on your own inbox...again...and again...

Of course when you don't get an instantaneous response (and quite honestly I would be extremely suspicious of any editor who got back to me in twenty fours*), depression sets in. That has to be the worst book I have ever written. They are going to hate it. What was I thinking? Why didn't I fix paragraph 2 on page 167?...and on the spiral into depression goes... for at least the next 48 hours. I'm not alone.

Novelist Simon Brett wrote: "...There are two points in the novel-writing cycle when authors are particularly vulnerable.... Almost every writer I know goes through the same reaction after a novel is finished – there are 24 hours of euphoria and then all the negative thoughts you have shut out while finishing it come out, and either you get drunk or depressed or get the flu.
"The other point is two-thirds or three-quarters of the way through a novel, when almost all writers get what I call the 'three-quarters sag', when the only thing you like less about what you've written so far is the ideas you have for finishing the book. My books are written quite quickly, so it only lasts a week or two, but for people who spend two years writing, it can take months." Simon Brett in the Guardian 


It is no surprise that rated among the 10 of occupations with the highest rates of depression are Artists, Entertainers and Writers according to health.com but let me hasten to add, I am no Virginia Woolf or Sylvia Plath. There are many writers who suffer clinical depression and having friends who battle serious depressive illnesses I do not make light of it. But there is a distinction between an illness and just a mild sense of loss!

Being essentially a person with a sunny disposition and a happy childhood (and thus doomed never to write "great literature"), the "depression" I suffer at the completion of a book can realistically be described as a mild sense of loss. 

I have been living inside my characters heads. I know every nuance of their behaviour, what their favorite color is...and if I'm really in the zone they talk to me. We have conversations. (No...seriously, other writers will no exactly what I mean) and then quite suddenly they've gone. I've waved them off at the door and the house feels empty. 

I look at the mound of ironing, the washing up, a study that is breeding dust elephants and a to do list as long as my arm which includes such unimportant things as "Last year's tax". I cannot settle to anything (particularly as I'm checking my inbox every 5 minutes). 

I have been doing this long enough to remember the days before the internet when the query letter was neatly typed and put in an envelope with a stamp and for months I would dog the postman before the inevitable rejection slip arrived (if at all). If a manucript was requested it was printed out (I'm not quite THAT old...we did have computers and printers!), secured with a rubber band and the family fortune expended in sending it off...only to have a single one page rejection return. 

Now it is all mechanised (or is that digitalised?). Submissions are done online ...some publishers even have a "Submission" proforma to which you attach your manuscript and off it goes, lacking even the interaction of an email and in modern business models you are assured of a response in 4-6 weeks. 

In the first 3 months of this year I have signed off on two books. Two chances of publication...two chances of rejection. Every morning I check my Inbox with a mingling of fear and optimism. Bouyed always by Charles I's  quote "While I live, I hope" (at least I've always believed it was Charles who said this...shortly before he had his head chopped off). "While I have a submission in the ether, I hope..." 
When the response comes, I can always tell instinctively whether it is a rejection or an acceptance, even before I click on it. It exudes a "vibe". If it is a rejection, then it will get no more than a glance as I slide into the obligatory 24 hour sulk. I only allow myself 24 hours - any longer is self indulgent- before I read it properly and take away any kernels of improvement from the editor's experience. If it's an acceptance...well...that's what we all hope for isn't it? That's why we write...
So what do I do now my latest book has gone winging its way into cyber space? Well I really should tidy my office, strike a few things off the to do list and start my next book...WHAT ABOUT YOU?

*I did once get a response from an agent in less than 24 hours - to tell me they weren't interested, of course.
Date for the diaries: My latest book, SECRETS IN TIME, will be released on APRIL 1. IF YOU LIKE A FUN, SHORT, ROMANTIC HISTORICAL TIME TRAVEL WITH A GORGEOUS CAVALIER...this is the book for you.

Tuesday, December 18, 2012

COVER LOVE

Writers often refer to their books as "book babies". Throughout the long gestation from the germ of an idea to the book in the hand, we nurture and dream about our story. The characters come to life, we put them in danger, we rescue them and in our mind's eye we journey with them.

I have written before about "The Mind's Eye" and the challenge of finding just the right title and just the right cover (On TITLES AND COVERS)...the name and the face of your new book baby. It took SECRETS IN TIME a little while to find the right title and I have been waiting with baited breath for the cover. Would it be dashing cavaliers or hospital corridors...?

I am blessed with a publisher who likes to make sure her authors are happy with the covers and the discussion between us about what constitutes a good cover was fascinating.  I remember Stephanie Laurens saying that a great cover reaches out and grabs the reader from the other side of Walmart. In the digital age, a great cover has to stand out as nothing more than a thumbnail. This means the soft focus covers would just blur into insignificance and so I have a wonderful, romantic gold confection for what is, probably, my first 100% unashamedly romantic story.


SECRETS IN TIME will be out on April 1, 2013. For more information about how I came to write this story, see my recent Next Big Thing post which is available HERE.

And from 21-31 December, Lyrical Press has GATHER THE BONES on sale for 75% of the retail price.  Click HERE to go directly to the site.